La Fuente del Fauno is the name of this classic style fountain of mythological motif. I focused on the base of the fountain so I could paint the roses with the dolphins. I’ve read that the origin of the fountain is unknown. Below is the painting process or sessions.
Epic poetry is my favorite read, here in particular is Fortune in Canto VII, passing out chances, fate and the like. She’s mentioned in Inferno by Alighieri. I paint Fortune holding a wheel,
keeping in pace with modern atrocities such as the Pripyat Wasteland.
Remember the yellow ferris wheel that was never used because every single person in the city of Pripyat city had to run away as fast as they could leaving everything behind, and you would think…but, no, “they” keep making them.
Canto VII The Wheel of Fortune with The Hoarders and the Wasters 2017
Canto VII Inferno by Dante Alighieri
This book reveals a lot of things about humanity. It’s called a comedy; Yeah, maybe their punishment is humorous. The hoarders rolling huge rocks and slamming them into the squanderers, shouting “Why do you waste?”, and they, in turn, shout “Why do you hoard?”
They are unrecognisable nudes covered in dark slime shouting with twisted angry faces. If the punishments suits the sin, could it be wasting time on meaningless activities?
Today there’s a new sets of hoarders and wasters. Where do they plan on keeping all the hoarded nuclear fuel rod waste and what are they going to do about the already wasted land; keep adding to it? I ask my self. There is a plan on how to let people living in the far future know that the stuff that’s burried deep below is not valuable like a treasure to dig up; but, an invisible killer. Our society finds things they’ve dug up every day, so why wouldn’t our distant future dig things up to find out about pre-existing societies like we do? Could it be that “they” don’t care because they won’t be here.
After our funny hail storm in June, these little yellow sun flowers bloomed on the terrace all at once.
I took out my easel and oil paints onto the terrace and started to paint the mini sun flowers early morning.
I mix my own colors with natural pigment bound with linseed oil. The colors are: cadmium lemon yellow, yellow chrome, transparent gold ochre, cadmium orange, magnesium blue, intense crimson, tierra sombra and cadmium red.
I usually start with my favorite part and build around it.
I just try to paint what I see.
I put the exact color and shape on the canvas as quickly and accurately as possible.
Here again the next morning in the hot sun.
Here I started putting in the skyline.
Since all the colors influence each other, I try to find all them as quickly as possible before the light changes.
The background colors are established, so now I start with more detail in the foreground.
I felt as if I had finished the painting at this point and then I couldn’t resist putting a scumble on it to push the back ground into the distance.
So little by little I started building up the foreground, leaving the back ground alone.