La Fuente del Fauno is the name of this classic style fountain of mythological motif. I focused on the base of the fountain so I could paint the roses with the dolphins. I’ve read that the origin of the fountain is unknown. Below is the painting process or sessions.
Each session is more or less three to four hours.
After our funny hail storm in June, these little yellow sun flowers bloomed on the terrace all at once.
I took out my easel and oil paints onto the terrace and started to paint the mini sun flowers early morning.
I mix my own colors with natural pigment bound with linseed oil. The colors are: cadmium lemon yellow, yellow chrome, transparent gold ochre, cadmium orange, magnesium blue, intense crimson, tierra sombra and cadmium red.
I usually start with my favorite part and build around it.
I just try to paint what I see.
I put the exact color and shape on the canvas as quickly and accurately as possible.
Here again the next morning in the hot sun.
Here I started putting in the skyline.
Since all the colors influence each other, I try to find all them as quickly as possible before the light changes.
The background colors are established, so now I start with more detail in the foreground.
I felt as if I had finished the painting at this point and then I couldn’t resist putting a scumble on it to push the back ground into the distance.
So little by little I started building up the foreground, leaving the back ground alone.
Summer June Flowers 2017.
This is the largest plein air watercolor I have done so far. It was quite an adventure.
The fountain was dry when I got there. I asked the gardener if it would have water soon.
The gardener told me that they were cleaning it but that he would turn it on the following morning so I could paint it with water.
The next morning the fountain had its beautiful cascade!
There was a heat wave in Madrid and the sky turned a dark, almost purple color that I didn’t want to paint. I was waiting for the sky to turn light blue again.
Finally the sky was blue like the first day and once I got everything in place, I stopped painting.
Painting the Lds Temple was a really nice experience. I made two new friends A and J. They told me a lot of interesting things about the Temple and gave me a beautiful book related to the Temple.
There’s nothing like painting in Madrid
I realised that I had to focus. First I got a body of watercolors together 2014 to 2016.
Here’s a short clip of the watercolors in the show and a few pictures.
When I got together around 50 watercolors, I started matting them.
This is the style I used for presentation – A beige mat with plexi-glass and swiss clips.
Once it was all set up, the show looked really nice. I Saw a lot of family and friends I hadn’t seen for a long time as well as meeting new friends.
Although it was very hard work, it was something I wanted to do and I’m glad it happened.
The light in Madrid, Spain is always inspiring.
This spring I was only able to paint one watercolor of the white almond blossoms. They bloomed, it rained, it was windy and they were gone.
These are some of the steps taken.
I started out by putting the vase and the flowers on the paper first.
Then I start working around the paper putting in the colors and shapes I see.
Here I start looking for contrast.
Looking for depth.
Looking for atmosphere too.
It was a nice sunny day in early December, just as autumn was leaving and winter was coming in.
So I was painting at the Retiro Park and someone stopped to see the painting. Suddenly we discovered that we had met in San Francisco around 20 years ago.
The light started to change quickly, so I hurried up and finished.
This is how it turned out.
Dante’s Inferno Canto IV in process – Mixed Technique: Tempera Under-painting and Resin-Oil Finish.
ILLustration in Process of Canto IV, Limbo
Almost finished…(Inspired by Dante Alighieri’s The Divine Comedy)
The mixed technique is oil paint and egg tempera. The resin-oil drying time is more than a few days.
When drying a painting with this kind of mixture make sure the painting is isolated for a few days since all varnishes are volatile and harmful.
The Divine Comedy by Dante Alighieri is as Divine as Epic Poetry gets. There’s nothing pretty about the poem to paint and art has never been about painting a pretty pictures.
I’ve posted three sessions, the other sessions in between were mistakes taken off of the canvas. ;).
Watercolor Exhibition in Madrid
Today I went to a watercolor exhibition in Madrid at the Sala de Exposiciónes Esteve Botey de AEDA. (Agrupación Española de Acuarelistas).
You can click here to find out where it is if you would like to go; it was excellent!
Here are a few pictures of the Artists
Aracili Hamilton in front of some of her watercolors. Her colors and line are very natural.
Carmen Duran in front of her paintings, this body of work represented different seasons of the year.
Here is another view of Carmen Duran’s Watercolors.
Manuel Alpañés showed beautiful paintings of Andalucía as you can see behind him.
Antonio Arcones in front of his magical looking paintings; they have a special kind of light that draws you in.
Javier Fuentes in front of one of his paintings. He had a variety of colorful paintings of different themes and sizes.
Here are some more of Javier Fuentes’ paintings.
I’m missing one Artist here, José Benito Orduña. I wasn’t able to get a picture of him next to his pieces; however, you can see his work here by clicking on his name.
Dante’s Inferno Canto IV in process – Mixed Technique: Tempera Underpainting and Resin-Oil Finish.
Illustration in Process of Canto IV Limbo.
Canto IV Session 12