Esta fuente española situada en el parque del Retiro de Madrid España se llama Fuente del Faunito. Recuerdo este día perfectamente bien. El jardín estaba lleno de rosas y había visitantes por todos lados, caminando y tomando fotos. El jardín de rosas solía estar abierto a todas horas. Solía ir temprano en la mañana cuando no había nadie alrededor. Ahora tiene una hora de apertura y una de cierre, por lo que es difícil pintar aquí ahora.
This Spanish fountain located in the Retiro park of Madrid Spain is called Fuente del Faunito. I remember this day perfectly well. The garden was full of roses and there were visitors everywhere, walking around and taking pictures. The rose garden used to be open at all hours. I used to go early in the morning when there wasn’t anybody around. Now it has an opening and closing hour, so it’s hard to paint here now.
La Fuente del Fauno is the name of this classic style fountain of mythological motif. I focused on the base of the fountain so I could paint the roses with the dolphins. I’ve read that the origin of the fountain is unknown. Below is the painting process or sessions.
Each session is more or less three to four hours.
After our funny hail storm in June, these little yellow sun flowers bloomed on the terrace all at once.
I took out my easel and oil paints onto the terrace and started to paint the mini sun flowers early morning.
I mix my own colors with natural pigment bound with linseed oil. The colors are: cadmium lemon yellow, yellow chrome, transparent gold ochre, cadmium orange, magnesium blue, intense crimson, tierra sombra and cadmium red.
I usually start with my favorite part and build around it.
I just try to paint what I see.
I put the exact color and shape on the canvas as quickly and accurately as possible.
Here again the next morning in the hot sun.
Here I started putting in the skyline.
Since all the colors influence each other, I try to find all them as quickly as possible before the light changes.
The background colors are established, so now I start with more detail in the foreground.
I felt as if I had finished the painting at this point and then I couldn’t resist putting a scumble on it to push the back ground into the distance.
So little by little I started building up the foreground, leaving the back ground alone.
Summer June Flowers 2017.
I realised that I had to focus. First I got a body of watercolors together 2014 to 2016.
Here’s a short clip of the watercolors in the show and a few pictures.
When I got together around 50 watercolors, I started matting them.
This is the style I used for presentation – A beige mat with plexi-glass and swiss clips.
Once it was all set up, the show looked really nice. I Saw a lot of family and friends I hadn’t seen for a long time as well as meeting new friends.
Although it was very hard work, it was something I wanted to do and I’m glad it happened.
The light in Madrid, Spain is always inspiring.
This spring I was only able to paint one watercolor of the white almond blossoms. They bloomed, it rained, it was windy and they were gone.
These are some of the steps taken.
I started out by putting the vase and the flowers on the paper first.
Then I start working around the paper putting in the colors and shapes I see.
Here I start looking for contrast.
Looking for depth.
Looking for atmosphere too.