I start with stretcher bars.
73 cm x 100 cm or 28.74 in x 39.37 in
I’m using duck cloth. It’s heavy, plain woven cotton fabric.
I mounted the material on the stretcher bars, gave it a thin coat of rabbit skin glue (let it dry) and then I primed it. Primer: Mix equal amounts of zinc oxide, calcium sulfate and rabbit skin glue. Pour the rabbit skin glue into the zinc oxide and calcium sulfate little by little mixing with a brush.
Here is the primed canvas on the easel.
Egg tempera emulsion is made by mixing an egg, oil, varnish and water together in a tall flask of equal proportions, shaking after each ingredient in that respective order.
I started off using these earth colors: blanco de España, zinc oxide, verde Veronese, transparent gold ocher and vine black.
This is what the pigments look like when mixed with the emulsion. This is a water based medium.
Egg tempera can be watered down as thinly as you like, but not always as thick as you like.
I start adding color and still painting thinly.
This is the under painting.
Canto IV describes a castle emanating a fire-like-light in limbo within a dark forest void of light.
I used gold leaf to represent the light.
I paint the area where I want to put the gold leaf on because the canvas has to be sealed or the gold leaf won’t stick.
Here, I’ve just started to use oil color. I mixed dry pigment with poppy seed oil. When mixed, the paint should stand up like butter.
Resin oil is a mixture of stand oil, thickened linseed oil and venetian turpentine.
Session 7 resin oil
With wet resin oil, you can paint hair-line brush strokes into it with egg tempera and switch back and forth with tempera and oil. This is a mixed media. You must always follow the rule of fat over lean.
I’m waiting for this painting to dry completely so I can decide whether I want to stop or continue.